On the one hand: Herbie Hancock and Kurt Rosenwinkel. The list of features on NOT TiGHT is a testament to the line DOMi and Beck have straddled thus far. What is genuinely new is the notion that music like this might appeal to a broad and youthful audience, beyond the jazz diehards-that players like Beck and DOMi might share the stage with a pop star like Ariana Grande, or that their music might sit comfortably on a popular Spotify playlist alongside stylish alt-pop auteurs like Steve Lacy and Sudan Archives. And those who have been through the music-school wringer themselves will recognize Rockwood as the ideal locale for the tragicomic scene he has set. Those with an interest in jazz may nod approvingly at what Cave has done with the harmonies. Viewers who spend too much time online will know “Cbat” for its role in a viral Reddit post about a hapless boyfriend’s poor choices in baby-making music. “This is if that guy on Reddit was a jazz comp major and brought his girlfriend to his empty show at Rockwood Music Hall,” Cave deadpans, then launches into a guitar-centric rendition of Hudson Mohawke’s trap-EDM instrumental “Cbat,” which Cave has reharmonized, like a good jazz comp major, with a handful of slick extended chords. It’s also the imagined setting of a funny video by Spilly Cave, a 25-year-old songwriter, multi-instrumentalist, and music school dropout who has nearly 40,000 followers on TikTok. It’s the sort of place a young, striving musician might book for their first gig in the city, fresh out of Berklee College of Music and ready to take over the world. There’s a smallish club called Rockwood Music Hall on Manhattan’s Lower East Side, around the corner from the legendary Katz’s Delicatessen.
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